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'200'

Stargate SG-1 episode

Episode no.

Season 10
Episode 6

Directed by

Martin Wood

Written by

Brad Wright, Robert C. Cooper, Joseph Mallozzi, Paul Mullie, Carl Binder, Martin Gero, Alan McCullough

Production code

1006

Original air date

August 18, 2006

Guest appearance(s)

Richard Dean Anderson as Jack O'Neill
Willie Garson as Martin Lloyd
Gary Jones as Walter Harriman
Don S. Davis as George Hammond
Cory Monteith as young Cameron Mitchell

Episode chronology

← Previous
'Uninvited'

Next →
'Counterstrike'

Stargate SG-1 (season 10)

List of Stargate SG-1 episodes

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'200' is the sixth episode of the science fiction television series Stargate SG-1's tenth season, and the 200th episode of the series overall. Unlike the more serious nature of the season's story arc, '200' is a light-hearted parody of both Stargate SG-1 and other sci-fi shows, as well as popular culture like The Wizard of Oz.

'200' won the 2007 Constellation Award for Best Overall 2006 Science Fiction Film or Television Script,^[1] and was nominated for the 2007 Hugo Award for Best Dramatic Presentation, Short Form.^[2] The episode also marks the first time original SG-1 member Jack O'Neill (Richard Dean Anderson) is seen since the beginning of Season 9.

The episode received a 1.9 average household rating, one of the few episodes of the season that surpassed the average rating of Stargate SG-1's previous season. '200' also received near-universal praise for its humor and writing. Despite the strong performance of the episode, the Sci-Fi Channel announced soon after the episode's airing it would not be renewing the series for another season.

Plot[edit]

Martin Lloyd (Willie Garson), an extraterrestrial turned Hollywood writer, returns to Stargate Command looking for assistance from SG-1 with his script for the movie adaptation of the television show Wormhole X-Treme,^[3] based on the exploits of the Stargate Program. The team, especially Lt. Colonel Mitchell (Ben Browder), is reluctant to help. Mitchell is excited about his next off-world mission because it marks his 200th trip through the Stargate. Technical glitches prevent the team from setting off on their mission. General Landry (Beau Bridges) orders SG-1 to help Lloyd, as the government believes a successful science fiction film about intergalactic wormhole travel will serve as a good cover story to keep the real Stargate program a secret.

The notes session devolves into the team members pitching their own versions of a successful sci-fi film, including a zombie invasion (from Mitchell), a previously unseen mission where O'Neill became invisible (from Carter), 'tributes' to The Wizard of Oz and Farscape (from Vala), and Teal'c as a private investigator (from Teal'c himself). Also featured are a vignette of the team's mental image of a 'younger and edgier' SG-1 (sparked by the studio's suggestion to replace the original Wormhole X-Treme cast), a suggested scene by Martin that turns out to be both scientifically inaccurate and highly derivative of Star Trek, a re-imagined version of the SG-1 pilot episode where all the characters are marionettes in the style of the television series Thunderbirds, and an imagined wedding that features the return of General O'Neill (Richard Dean Anderson). The studio decides to cancel the movie in favor of renewing the series. The end of the episode shifts ten years into the future, where the Wormhole X-Treme cast and crew celebrate their 200th episode, as well as renewed plans for a movie. Logitech quickcam pro 4000 driver for mac.

Production[edit]

'200' follows up on the events of the Season 4 episode 'Point of No Return' and the Season 5 episode 'Wormhole X-Treme'; the episodes feature the character of Martin and are self-referentially written. In comparison, '200' riffs on science fiction and genre television more broadly.^[4] In comparison to attitudes that fans are largely powerless and in opposition to producers, the episode posits fans as empowered shapers of entertainment.^[4]

Executive producer Robert C. Cooper originally proposed they write a normal script for the 200th episode. However it soon became clear that deciding who would have the privilege of writing the 200th episode would be awkward. This led to the idea to create a sketch episode in the manner of Saturday Night Live, with each writer creating a vignette.^[5] The episode took shape when the writers thought to bring back Wormhole X-Treme and the character of Martin, and frame the whole episode as a notes session.^[6] By the end of the writing process the episode had turned into 'an homage to the cast, crew, and die-hard fans.'^[5]

Stargate producers were not sure actor Richard Dean Anderson would return for the episode, so they devised many scenes where Anderson was 'in' the episode but not actually shown.^[6] However, Anderson was willing to return and appeared in several scenes. In the DVD special Stargate SG-1: Behind the 200th Cooper said, 'it was a big deal for us to have [him] back for the 200th episode. We obviously didn't think we could do it without him.'^[5]

Despite the markedly different content of the episode, '200' took no longer to shoot than a normal episode, mainly because much of the filming took place on the briefing room set.^[7] On the other hand, the episode was much more expensive than a typical one, due to the unusual sequences. For example, the marionettes used in an elaborate spoof of the series were created by the Chiodo brothers, who also made the puppets for Team America: World Police; each puppet cost about US$25,000, and the wires pulling each puppet had to be readded by CGI in post production because they didn't show up well enough.^[8] Several existing sets were used as stand-ins; for example, the bridge of the Odyssey was used for a Star Trek: The Original Series spoof, while a set from the sister production Stargate: Atlantis was used as the chamber of the Wizard of Oz.^[8]

In an interview about the tenth season of Stargate, Cooper and series co-creator Brad Wright stated that there was a fine line between the humor of regular episodes turning into camp. While jokes for the joke's sake are usually limited in normal episodes, the line between humor and camp is deliberately crossed frequently in '200'. The producers even talked about recreating a part of Blazing Saddles that breaks the fourth wall, but they could not afford th

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